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This solo exhibition will present Trương Công Tùng’s newest artworks in the prestigious Hamburger Kunsthalle institution with the support of the Philipp Otto Runge Foundation.
Gallery Medium and Galerie Bao are pleased to present Mắt Nhớ (The Gaze That Remembers), the first solo exhibition in Vietnam by artist Huỳnh Công Nhớ, following a series of acclaimed showcases in Paris last year.
Marking the first collaboration between Galerie Zink (Waldkirchen) and Galerie BAO (Paris), the exhibition explores storytelling as a vessel for memory, myth, and cultural identity. We brings together Rosilene Luduvico, Thao Nguyen Phan, Camila Rodríguez Triana, and Trương Công Tùng—four international artists whose practices span film, installation, painting, and textile art. Together, they offer sensorial and poetic responses to the complexities of time, creating works that do not merely narrate, but unfold, resonate, and echo.
In Dirty & Disorderly: Contemporary Artists on Disgust, Anna Ting Möller, New Red Order, and Nguyễn Duy Mạnh use the aesthetics of disgust to understand the social construction of putrid and squalid things.
This solo exhibition will present Trương Công Tùng’s newest artworks in the prestigious Hamburger Kunsthalle institution with the support of the Philipp Otto Runge Foundation.
Gallery Medium and Galerie Bao are pleased to present Mắt Nhớ (The Gaze That Remembers), the first solo exhibition in Vietnam by artist Huỳnh Công Nhớ, following a series of acclaimed showcases in Paris last year.
Marking the first collaboration between Galerie Zink (Waldkirchen) and Galerie BAO (Paris), the exhibition explores storytelling as a vessel for memory, myth, and cultural identity. We brings together Rosilene Luduvico, Thao Nguyen Phan, Camila Rodríguez Triana, and Trương Công Tùng—four international artists whose practices span film, installation, painting, and textile art. Together, they offer sensorial and poetic responses to the complexities of time, creating works that do not merely narrate, but unfold, resonate, and echo.
... Founded in 2015, the art fair Asia Now has become a key platform for Vietnamese artists in Paris.
Axée autour des pratiques cérémonielles, la 10ᵉ édition d’Asia Now promettait d’élargir encore un peu plus ses horizons. Réunis à la Monnaie de Paris, ses 70 exposants associaient des habitués, dont les Français Perrotin, Taménaga, Françoise Livinec ou la Sino-Britannique HdM, de jeunes galeries (Idolon de Taipei, LKHAM d’Oulan-Bator), et quelques nouvelles têtes, dont O Art Space de Lahore, et Nao Masaki venue de Nagoya.
Lancée cette année, la foire répond à un objectif de longue haleine : « dévoiler la diversité de la création en Amérique Latine », martèle Manuela Rayo, fondatrice de Mira. Du 18 au 22 septembre, une vingtaine de galeries se sont retrouvées à la maison de l’Amérique latine, dont certaines ayant une forte présence à l’international, comme Continua. La manifestation fédérait aussi plusieurs enseignes latino-américaines réputées pour leur programmation pointue, à l’instar de Proyectos Monclova (Mexique) ou El Apartamento (Cuba, Madrid).
Across the highlands of Vietnam, gourds have stored water, made music, and inspired legends for centuries.1 In his travelling solo show, Truong Cong Tung finds yet another use for these sinuous plants.