Hà My Nguyễn transforms the gallery into a ceramic garden of mystical, hybrid plants. Her delicate sculptures, inspired by marginalised botanical knowledges and the resilience of femininity, invite viewers into a world where nature and imagination intertwine.
Galerie Bao is proud to announce that Trương Công Tùng is a joint winner of the Arnaldo Pomodoro Sculpture Prize – 8th edition, alongside Bronwyn Katz, Dan Lie, Yu Ji and Luana Vitra. A gesture of solidarity unanimously praised by the jury and the two foundations, in tribute to Arnaldo Pomodoro, who passed away on 22 June 2025.
“Le grand banquet de céramiques orchestré par Nguyễn Duy Mạnh (né en 1984) pour la galerie Bao : autre étape du parcours « Réparation », l’artiste vietnamien s’empare de la tradition ancienne de la céramique blanc et bleu vernissée de Nam Sách pour créer des pièces percées, entaillées, à vif, dont les blessures apparaissent comme saignant d’un rouge vif. Selon la commissaire, il « fait de chaque plaie, de chaque blessure le sujet même de l’œuvre (…).” Par Beaux Arts Magazine
Trương Công Tùng, is taking part in the third edition of the Diriyah Contemporary Art Biennal « Interludes and Transition » (Saudi Arabia) led by artistic directors Nora Razian and Sabih Ahmed. He is exhibited alongside over 70 artists from all around the world, working across disciplines such as sound and performance to moving image, architecture and research. Theirs projects will be shown from 30 January to 23 April 2026.
Phan Quang, represented by Galerie Bao (Paris), is nominated for the 2026 Discovery Prize, by the Fondation Louis Roederer, at Rencontres d’Arles (France), alongside Souleymane Bachir Diaw, Jordan Beal, Amira Lamti, Mallory Lowe Mpoka, Magali Paulin and Charlotte Yonga. Their projects are curated by guest curator Nadine Hounkpatin and will be exhibited at the next edition of the 2026 Rencontres d’Arles, from 6 July to 4 October 2026.
PARIS — “Go ahead, feel them!” gallerist Lê Thiên-Bảo encouraged visitors to her booth at Asia Now fair. Emboldened by her enthusiasm, I broke the well-worn rule of not touching artworks and caressed the fleshy ceramics of Vietnamese artist Hà My Nguyễn. Inside the grand halls of La Monnaie de Paris, just steps from the Louvre, the fair’s mood remained undisturbed by the museum’s recent brazen heist, which has shaken the country…
Après avoir traversé un couloir, on se retrouve dans la cour d’Honneur de l’institution, habitée pour les prochains jours d’une grande tente blanche et d’un buffet-bar. Dès l’entrée de ce pavillon, le regard se pose sur les sculptures en céramique d’Ha My Nguyen présentées par la galerieBao (stand H12).
Sur des murs tapissés de velours noir, ses créations blanches détonnent et intriguent…
Richie Nath was born twice: once in Yangon, and again in Paris. Since leaving Myanmar in the aftermath of the 2021 coup, he has come to understand what it means to both produce and undo himself. The displacement opened a distance from his mother, one he had not known before, though her presence continues to structure his sense of self.
As the emotional and hierarchical order between mother and son began to fracture, the possibility of self-recognition emerged. His first self-portrait Where Are You?, painted in 2023, does not resolve this rupture but marks its beginning. In this first solo exhibition in Paris, An Oyster Without a Pearl, the artist explores identity, migration, and his complex relationship with his mother through painting drawings and mis-en-scène.